![]() ![]() Isn’t that why she wants to escape? Watching her face is like watching the entire film ache. That’s the central drama, and Richardson, with the intelligently conflicted Cho at her side, becomes a beacon of feeling in a setting that risks stomping all of that feeling out of her. Richardson, in particular, stands out as a young woman who has dreams of a future outside of Columbus, but whose sense of obligation to matters at home is a potential stumbling block. What’s memorable about Columbus, which stars Haley Lu Richardson and John Cho as people trying to make sense of themselves against the architecturally rich backdrop of Columbus, Indiana, is that it takes everything underwhelming about movies of its kind and imbues it all with a rich undertone of intellectual, and not only emotional, agony. You could say, then, that Kogonada’s feature-film debut is worthwhile if only for satisfying a much-needed gap in the genre. But very few of those movies are concerned with self-discovery of the mind, not the body-and even fewer wield that beautiful cinematography like a vexed, imposing expression of the characters’ inner lives. ColumbusĪny number of well-made, stylish indie movies can be full of gorgeous frames and scenic photography, and an even greater number of those movies can tell stirring stories of youth and self-discovery. Austin Collins’s accompanying year-end essay. ![]() ![]() To read about what the films of the year meant to 2017, see K. ![]()
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